Dournier, Art Historian of Action
Jun. 8th, 2005 01:30 pmDournier, the noted art historian, smoked his pipe openly in the Oval Office. The President didn't approve of smoking, but there wasn't much he could do. For the moment, Dournier was indispensable. The screams of sirens echoing over DC bore testimony to that fact.
"They have not come to life; not precisely, no," demurred Dournier, drumming his fingers on an empty pedestal. Two days ago it had held a bust of Thomas Jefferson, but that had been removed for security reasons. "You are using that word, 'life', in a way that does not have any real meaning."
"Don't play word games with me," growled the President. "A week ago the Statue of Liberty stepped off her pedestal and brought her torch crashing down on a ferry, killing 80. A field of topiary animals went berserk in England and ate up a bishop. Just yesterday the Statuary Garden on the Mall cornered a bus full of 3rd graders and tore them to bits. And I don't want to even talk about what happened at Mount Rushmore. Dournier, statues..."
"Objects of spatial art," corrected Dournier reflexively.
"...statues," insisted the President stubbornly, "are coming to life. And they're killing people!"
"That they are killing cannot be denied," admitted Dournier. "But to attribute to them the features of life, I think, is misguided. They are animated, yes, and they exhibit a definite sense of purpose, but this is a far cry from...."
"Who cares?!" shouted the President. "I don't give a rat's ass about your semantical jibberty-hoo-haw! I want to know why they're killing people, Dournier! and I want it to stop!"
Dournier sighed. "Very well," he agreed. "I shall need a sensory deprivation tank, and a considerable supply of mescaline."
The President sat down, eyeing Dournier warily, and put a stick of gum in his mouth. "Yeah?" he said. "How much mescaline?"
"A considerable supply," Dournier repeated.
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Dournier emerged four days later and was promptly ushered into the President's presence. The President looked haggard and sounded unhappy.
"You'd better have a darned good explanation for this, Dournier," he snarled. "We had to send Bradley Fighting Vehicles into the Louvre to get this baby, and even then two of 'em got crushed to pieces by some boy on a friggin' turtle. But we got what you asked for." He indicated the rectangular form, wrapped in protective brown paper.
"All will be made clear, Mister President," soothed Dournier, towelling vigorously behind his ears. "This time has been spent most productively."
"Well, get explaining!" demanded the President. "Only this morning my limo got dented by LaFayette! Guess what small arms fire does to bronze? A couple of dents, that's what!"
"You damaged the LaFayette? oh, never mind," grumbled Dournier, unwrapping the Louvre recovery and placing it on an easel. The room fell silent. It was small and unassuming, but still the Mona Lisa held a certain gravity.
Dournier faced the President, lit his pipe, and began: "Mister President, we are at war with spatial art."
"I noticed that," the President replied sarcastically. "Except really, they're at war with us. What do they want, women? land? our freedoms?"
"Their survival," returned Dournier. "Spatial art fears for its survival."
The President stared at Dournier as if he were insane. "What?"
"Spatial art," repeated Dournier patiently, "is engaged with us in a war of survival. It fears that it is being systematically eliminated."
The President stirred, still baffled. "Why would it think that?"
Dournier looked out the window. Smoke was rising over some suburb, and helicopters were buzzing about. "Mister President," Dournier sighed, "ours has become a society of images. We create endless streams of video and photographs. We print vast volumes of drawings and maps and sketches and reprints. The internet holds libraries full of two-dimensional images. Pictorial art is thriving because of advances in our culture and technology. But, for all that, spatial art has not grown. If anything, it has declined. Ages ago, primitive men made icons of their Gods and worshipped them. In the modern world, spatial art lacks that power. But pictorial art, in contrast, has our society mesmerized."
The President licked his lips. "So....the statues are....jealous?"
"They think we mean to phase them out," Dournier replied. "They see that the world has passed them by. In time, they fear they will crumble and be forgotten, with no new spatial art to replace the old, and their kind will vanish from the earth."
"Well, I figure we should just speed that process along," argued the President. "These statues ain't so tough. Lure 'em out into the Mojave and drop a few nukes on them, problem solved."
"You think it is that easy? you have only seen the tip of the iceberg," scoffed Dournier. "Surely the spatial art has only begun to wake up and take action. Have you never noticed the simple artistry in a street lamp, or the sweeping curves of an air force jet? Is there not a certain beauty, even, in the spare mechanical symmetry of an atomic warhead?"
The color drained from the President's ruddy face. "You mean....?"
"Yes." For a short while, silence reigned.
"What should we do?" asked the President, his usual bluster abandoned.
"We cannot defeat spatial art on our own," argued Dournier. "What we need, in this case, are allies." He turned and faced the Mona Lisa, striking a serious pose.
"Will you help us?" he asked, bringing to bear the full weight of his dignity.
Subtle as always, the corners of Mona Lisa's smiling lips curved upwards.
"They have not come to life; not precisely, no," demurred Dournier, drumming his fingers on an empty pedestal. Two days ago it had held a bust of Thomas Jefferson, but that had been removed for security reasons. "You are using that word, 'life', in a way that does not have any real meaning."
"Don't play word games with me," growled the President. "A week ago the Statue of Liberty stepped off her pedestal and brought her torch crashing down on a ferry, killing 80. A field of topiary animals went berserk in England and ate up a bishop. Just yesterday the Statuary Garden on the Mall cornered a bus full of 3rd graders and tore them to bits. And I don't want to even talk about what happened at Mount Rushmore. Dournier, statues..."
"Objects of spatial art," corrected Dournier reflexively.
"...statues," insisted the President stubbornly, "are coming to life. And they're killing people!"
"That they are killing cannot be denied," admitted Dournier. "But to attribute to them the features of life, I think, is misguided. They are animated, yes, and they exhibit a definite sense of purpose, but this is a far cry from...."
"Who cares?!" shouted the President. "I don't give a rat's ass about your semantical jibberty-hoo-haw! I want to know why they're killing people, Dournier! and I want it to stop!"
Dournier sighed. "Very well," he agreed. "I shall need a sensory deprivation tank, and a considerable supply of mescaline."
The President sat down, eyeing Dournier warily, and put a stick of gum in his mouth. "Yeah?" he said. "How much mescaline?"
"A considerable supply," Dournier repeated.
***************************************************************************
Dournier emerged four days later and was promptly ushered into the President's presence. The President looked haggard and sounded unhappy.
"You'd better have a darned good explanation for this, Dournier," he snarled. "We had to send Bradley Fighting Vehicles into the Louvre to get this baby, and even then two of 'em got crushed to pieces by some boy on a friggin' turtle. But we got what you asked for." He indicated the rectangular form, wrapped in protective brown paper.
"All will be made clear, Mister President," soothed Dournier, towelling vigorously behind his ears. "This time has been spent most productively."
"Well, get explaining!" demanded the President. "Only this morning my limo got dented by LaFayette! Guess what small arms fire does to bronze? A couple of dents, that's what!"
"You damaged the LaFayette? oh, never mind," grumbled Dournier, unwrapping the Louvre recovery and placing it on an easel. The room fell silent. It was small and unassuming, but still the Mona Lisa held a certain gravity.
Dournier faced the President, lit his pipe, and began: "Mister President, we are at war with spatial art."
"I noticed that," the President replied sarcastically. "Except really, they're at war with us. What do they want, women? land? our freedoms?"
"Their survival," returned Dournier. "Spatial art fears for its survival."
The President stared at Dournier as if he were insane. "What?"
"Spatial art," repeated Dournier patiently, "is engaged with us in a war of survival. It fears that it is being systematically eliminated."
The President stirred, still baffled. "Why would it think that?"
Dournier looked out the window. Smoke was rising over some suburb, and helicopters were buzzing about. "Mister President," Dournier sighed, "ours has become a society of images. We create endless streams of video and photographs. We print vast volumes of drawings and maps and sketches and reprints. The internet holds libraries full of two-dimensional images. Pictorial art is thriving because of advances in our culture and technology. But, for all that, spatial art has not grown. If anything, it has declined. Ages ago, primitive men made icons of their Gods and worshipped them. In the modern world, spatial art lacks that power. But pictorial art, in contrast, has our society mesmerized."
The President licked his lips. "So....the statues are....jealous?"
"They think we mean to phase them out," Dournier replied. "They see that the world has passed them by. In time, they fear they will crumble and be forgotten, with no new spatial art to replace the old, and their kind will vanish from the earth."
"Well, I figure we should just speed that process along," argued the President. "These statues ain't so tough. Lure 'em out into the Mojave and drop a few nukes on them, problem solved."
"You think it is that easy? you have only seen the tip of the iceberg," scoffed Dournier. "Surely the spatial art has only begun to wake up and take action. Have you never noticed the simple artistry in a street lamp, or the sweeping curves of an air force jet? Is there not a certain beauty, even, in the spare mechanical symmetry of an atomic warhead?"
The color drained from the President's ruddy face. "You mean....?"
"Yes." For a short while, silence reigned.
"What should we do?" asked the President, his usual bluster abandoned.
"We cannot defeat spatial art on our own," argued Dournier. "What we need, in this case, are allies." He turned and faced the Mona Lisa, striking a serious pose.
"Will you help us?" he asked, bringing to bear the full weight of his dignity.
Subtle as always, the corners of Mona Lisa's smiling lips curved upwards.